CK 8

18th February 1999

   ...and as I approach the window, the light is coming on inside the room so I’m going in through the window….and inside there is a chamber. It has six seats carved into alcoves, stone seats carved into niches in the wall surrounding…it’s a circular tower and these are cut into circular walls and they’re surrounding a circular hole in the floor and in the centre of the tower. This is cut into the floor – there’s a small recess there. I’m looking over the recess and into it and there is a light burning – a candle burning – a small, shallow candle burning and the candle is set in the centre of a five-pointed star. This hole in the floor is approximately one foot in diameter.

    Between each of the digits of the star is a small stone and I’m to pick these up. The first stone is at approximately 10 o’clock, if one looks at the clock face, and this is a pale lilac crystal stone. It is distinguished by a dark circle around the centre of the stone – this is part of the stone itself, part of the markings – and it is a sheet which extends throughout the horizontal plane. If one looks at the stone front on and imagines a body with the head being at the top and the feet at the bottom – a human body – then in anatomical terms this plane would be the transverse plane, that is from the umbilicus through towards the spine. It’s a horizontal plane section…so I have that.

    The next is at approximately 2 o’clock. That is a pale blue stone. The purple stone was longer than it was wide and it was sort of oval in shape. This stone is different – it’s blue, a light powdery blue and it’s almost triangular, almost diamond shaped but with smooth rounded edges rather than straight ones. At the centre of this stone there is a small...there is a further quartz crystal embedded in this stone, which is a three-dimensional eight-sided shape, approximately the size of a pea. This stone sits in my right hand and I’m moving it into my left.

    There are two further stones. These are approximately at 5 and 7 o’clock. The 5 o’clock stone is a very pale pink. This is triangular in shape, a pyramidal shape – but a triangular pyramid if you understand me. In fact, this is changing because when one looks at the top of the stone, it’s actually cross-shaped – a 90 degree cross-shape on the top which extends down to three-dimensions. This is also in my right hand now and is rotating in a clockwise direction. I have this.

    The final stone is a pale green at 7 o’clock. This is flat, this stone is completely flat and approximately 2 mm in thickness and approximately 5cm, they’re telling me, in length. Its width is 3.5cm and it is a clear green crystal. There are lots of sparkling silver bits inside the matrix of the crystal where it catches the light. There are many, many star-like reflections in it – I’m also taking that into my right hand.

    And the candle is still burning and now it’s dropping through the floor. The candle is dropping through the centre of the star-shape as though it is a lift or a trapdoor going down…and I’m following it and we’re going into a chamber underneath this chamber, which has been dark for many years…there’s water in the bottom of the floor…it hasn’t seen light for so long, this – centuries.

    The light’s there now – the candle is in the centre. I’m standing on a stone platform, surrounded by dark water. Directly in front of me I…across the water, approximately three feet across the water from where I’m standing – jutting out from the round wall – is an altar-like structure. It’s long, rectangular, heavy cast-iron…I don’t mean cast…it’s a long, heavy, solid block of granite – it must be six feet long by three feet wide and it’s height is approximately four and a half feet.

    In the centre is a scooped out portion, very much like the whatchermacallit – there’s a stone sarcophagus in one of the pyramids, in the big pyramid. It’s almost like that except this is much more shiny and red and straight-edged – it doesn’t look as weathered as the other one is. It’s a replica of this.

    On the wall above it is the five-pointed star in embossed relief and in the centre of that star is a mirror and the light is shining on this mirror…and it’s turned into a window and through the window…I’m looking out to see through the window – in fact, I’m looking under the sea – that’s why it’s so difficult! I was finding it difficult to see but it’s because it’s actually looking out under the sea…and I’m travelling under the sea over the moss-covered, very, very old, huge blocks of stone which have been scattered here, there and everywhere. They extend 1.5 km I’m being told, 1.5km in all directions from where I am.

    ...and there’s a path in front of me across these – there is appearing a cross-shaped path and I’m walking down that and we’re now in a hollow with lots of sea plants around the place….and the sun is shafting in from above to light up this area….and in the centre of the hollow is what looks like a throne. It’s a big square chair with armrest – it’s sort of half-settled in the seabed. It’s a throne – square-backed with little knobbles on the sides of the supports on the back….and this is rising up out of the seabed…it’s casting off all the debris, all the shells, all the plants – it’s just being lifted up and the light is shining on it very strongly and because it’s made of wood it’s floating on the surface.

    It’s now come to the surface and it’s floating there – a very strange sight to see, a wooden chair, almost like an armchair, floating on the surface of the water. I can see the patterns of the ripples on the surface of the water which it’s making so I must be rising up above the surface now….and it’s come to shore in a westerly direction. It’s being brought out onto the shore – somebody’s found it and they’re dragging it out onto the beach….and they’re not at first recognising the significance of this – they’re too busy pulling it up but the significance will dawn on them. This is a mighty find – this is of great historical interest.

    And they’re cleaning it off and they’re carrying it away – I don’t know where it’s going – I think it’s going to a museum. Yes, I can see it – it’s all been dried off – it hasn’t been restored and it’s actually sat in a glass display cabinet in a very large neoclassical – sorry, gothic – you know, with the high pointed arches and a bit like an old monastery or Westminster Cathedral – it’s in that sort of an environment and it’s sat in a glass display cabinet. People are just walking past it and they don’t understand what it is – they’re just giving it a cursory look and then moving onto something more interesting. What they do not realise is that his chair symbolises…Lemuria, they’re telling me, Lemuria not Atlantis, it’s Lemuria. It is the throne of the King and it hasn’t been physically hidden but it has been mentally hidden because the people have been walking past it for so long that they’ve completely missed the significance of this piece of furniture. Texas, that’s the word I’m getting, Texas. This is in Texas and it has not been dated properly. The dating was wrong – it needs to be re-dated. When that re-dating has been done then it will considerably alter the known dates of civilisation. Carbon-dating is wrong – they have to use a more advanced technique. Very interesting and very important. Those who need to know will know what this chair is and where to find it.